Illustrations

Work I make in my own time, with no brief and no client. It is where I test ideas that would never survive a deadline: bolder colour, flatter shapes, and subjects I just happen to like looking at.

Everything here is built as vector artwork, so it holds up at any size and prints cleanly. The harbour scene leans on a limited palette and layered silhouettes to get depth without detail; the 911 is an exercise in how few shapes a car can be reduced to and still be unmistakable.

• Flat vector illustration, built for print at any scale
• Limited palettes chosen to carry depth without shading
• Subjects drawn from architecture, coastline and classic cars
• Produced as framed prints